Yemi Alade has had a massive year! She made the leap from an up-and-coming act with barely distinguishable pop joints to a bona fide African pop star, driven by the Selebobo produced Johnny. King of Queens (KoQ) is her debut offering.
Artist: Yemi Alade
Album Title: King of Queens
Label: Effyzzie Entertainment
Release Date: October 7, 2014.
A King is defined as a ‘male ruler who holds life tenure or a person or thing preeminent in its class. Ms. Alade is gunning for the latter, gender irrespective. KoQ is her claim to the throne, a 16 + 4 album, featuring production from an array of beat-smiths.
The album opens with Bovi on the Johnny skit. This is rather bizarre, and then becomes clearer when one has had the pleasure of hearing the K.I.N.G interlude. But Johnny was a monster hit, coupled with a video that garnered the highest number of Youtube views of any female artist in Nigerian pop music history.
The first half of the album almost makes for the perfect debut; Why, a Reggae joint drenched in audible sunshine, in case you didn’t know, Ms. Alade is quite the singer. And in strengthening her pan-African appeal, Pose features Ghana’s R2Bees. It’s rather impressive how the guest slides effortlessly into delivering a very ‘Naija-centric’ spot. It makes for a good, typical afro-pop joint, nothing complicated. On Duro Timi a joint laced on a bouncy mid-tempo R&B production by Sizzle Pro, she shows off some of her vocal range; the end product is one of the better Naija R&B songs in a while, a contender for the album’s best.
King of Queens is not some clever quip of an album title. Ms. Alade really means to show you why and how she is deserving of this self-appropriated label. Never shy and or retiring on tracks, she asserts herself, be it in detailing what she intends to do a bobo on Catch You – a sexy, slow, bedroom number – or unabashedly stating her desire for Money. On the all-around excellent Selense, an Afro-Dance joint featuring Chidinma, Ms. Alade sings about her interest in a manner that leaves no doubt about who is the boss. She wants to be the one to take him home, to be Chairman because she enjoys his moves, this playfulness, and Chidinma’s background vocals serve to make this song one of the highlights of the album. Temperature feat. Dil is another high point on the album; a sugary love song delivered in pidgin with smatterings of Igbo, it’s a delight to hear.
A king must expand her territory and this is something Ms. Alade appears to have well within her grasp. On her collaborations with Selebobo and the particularly impressive Flip Tyce, she manages to parlay what is clearly her comfort zone into snatching new territory for her music. The aforementioned Johnny and K.I.S.S.I.N.G featuring the show-stealing, Diamond, a much better offering than the original song, she doubles down on the ‘Afro’ aspect of her music. The latter track is listed as a bonus and it should have made the album proper. Diamond makes the song glisten. His falsetto delivery adds a dash of something the song lacked on its own. Perhaps, this is part of the advantage Ms. Alade wields over those that’d naturally be seen as her competition; she is trilingual, blessed with good musical acumen, as well as the foresight to broaden her appeal straight out the gate and so self-assured it almost borders on arrogance but it’s all good, she walks the game she talks.
The not-so-successful parts of the album come on Daddy Oyoyo (a confusing and unsettled attempt at Gospel) and the entirely predictable Fall In Love. A ballad was perhaps unavoidable but this joint here is not it. It feels like the artist ticked off an item on her to-do list. The mixing on two of the better songs on the album, If I Catch You and Money, is also disappointing. The album is overlong, an oft-repeated complaint where Nigerian pop albums are concerned. Also, the opening track should have been the KING interlude; it sets the tone for the project but these are minor gripes.
This is a stellar effort from Yemi Alade. She has shown herself capable of holding her own, a performer who shines on wax and on stage; see her season-closing performance on Ndani Tv, KoQ is a delight for the most part. She dabbles in Afro-Dance, Reggae, R&B, she also picked guests who did their spots justice, as producers. Selebobo established a seamless partnership with her. Two hits, Johnny and Tangerine, were the result. She could have rested on her laurels and had him produce the bulk of the project but, no and that is to her credit. She needed no co-sign by a well-known artist to earn the monster year she’s having, and this album proves she’s no fly-by-night act. This is a deliberate grab at longevity, for that and the delivery of more than bravado, all hail the King!
This album is rated 7/10
You can follow Tola Sarumi on Twitter:- @AfroVII
NOTE: *The opinions expressed in this article/review are those of the author and do not necessarily represent the views of notjustOk.com.*
13 responses to “Yemi Alade: King of Queens Album Review | READ”
Lmaoo this album is a 7 and dammy krane's own is a 3?? Just stop with this your review thing and keep uploading songs for us. It sucks
You are a perfect example of the ongoing decay and degeneration afflicting the nigerian youth. How people listen to dummy krane is beyond me. I sat through one of his tracks and cringed through the whole ordeal. The fact that even dare to compare a vocally gifted yemi àlade to that noise maker amazes. Please stick to your garage music and stop polluting this site with your baseless opinions.
Yassss!!!!
@chuks, tanks..may God bless you. This review is so on point. Yemi Alade is the next big female Singer in naija.
Ok! Something about this guy reviewing this albums is either he is biased or he is just a joke. He rated Psquare's Album 5 out of 10. I bought their albums both on iTunes and i listened to everything from the beginning to the end, 7/10 is too much for Yemi Alade's album. your review is a joke.
lolz
When are you all gonna get it. NJO likes the controversy. If they really want to post reviews they should take responsibility like THE SOURCE did with the 5 mic rating system.
This album might be a 7, but NO ONE BELIEVES YOU NOW
We saw it coming…Yemi really is a KOQ.
She has clearly snatched sales, shows and fans from just about every other queen in the industry…thats King trait!
Tola thumbs up…am a fan of your reviews now, apparently you know your onions.
Okay first of all, i have listened to both albums and without bias, King Of Queens has more "pangolo" music and The Enterkraner. Anybody who says otherwise has told a big lie.
Secondly, you really have no right to make unguarded statements like you just did. Everybody has a right to listen to the kind of music they want to. And to rain insults on an artiste based on your definition of what music should be shows real signs of myopia and decadence.
Just for the sake of adding, joining all the songs of Yemi Alade's album including Johnny and all of it's "pangoloness" they are not half as inspiring and as well written, produced and loved as "Amin" off "The Enterkraner" album. Hate it you want to hate, i have nothing against that but to forcefully impose your opinions which are mostly wrong to me and feel superior with your lack of knowledge is something I cannot stand.
Chuks please start commenting on lindaikeji. NJO is for brighter and more open minds
1. The feminist overtones in this review remind us once again that these are the whims of a genuinely brilliant writer
2. I am not even sure how we appraise anything in Nigeria outside our subjectivity. In any case, Ms. Yemi Alade has indulged rather excellently in the spirit of the time.
3. The last thing I'll say is that, in my view, the difference between all of today's mainstream artistes is just a little bit of fine margins because lyrically they are all below par when juxtaposed with even the best of the global stars today.
It is not clear for how long mainstream Africa will continue to play second-fiddle and celebrate mediocrity in our attempts to be contemporary. But no one can deny that the cultural products of today have no real enduring value. But it is what we have for the most part…
Am yet to listen to the album but she didn't highlight some things I know about the song in the album,the production on kissing would have been better,I can see some sentiments in her reviews of yemi's album
That particular mix had been replaced with a better one!
very good album, Yemi actually did more than I expected!